sound engineers

Abstract: We present Gugak-VocalSet, the first publicly available audio dataset for Korean traditional singing with dense annotations of sigimsae, a structured pitch contour system of vocal expressions. Gugak-VocalSet contains 24.5 hours of unaccompanied solo vocal recordings across 305 tracks of representative repertoire curated by the National Gugak Center, performed by 20 professional singers in a controlled studio environment with fixed key and tempo. In addition to genre, lyrics, and mood/timbre tags, the dataset provides a unified sigimsae ontology and approximately 68,000 segments (71,700 instances including multi-label) of audio-grounded sigimsae annotations; the ontology adopts a functional-position-based hierarchy designed for consistent application across genres, and 14 expert annotators specializing in Korean traditional music performed segment-level labeling accordingly. Baseline experiments on sigimsae classification and event detection show that domain-informed F0 representations remain competitive with, and on classification surpass, frozen probing of a general-purpose music foundation model, while pitch and spectral cues play complementary roles in event-level detection. Companion page: https://www.danbinaerin.com/Gugak-VocalSet/

Abstract: Morphing has recently gained renewed interest with the emergence of generative models, particularly in audio and image generation. In musical sound synthesis, morphing can generate intermediate sounds between two targets, helping musicians and sound engineers explore new sounds with interesting perceptual properties. As morphing is inherently defined in perceptual terms, evaluating this task is challenging. In this work, we introduce Sobolev Distances to Ideal Morphing (SDIM), a novel objective metric to quantify the regularity of audio morphing trajectories in perceptually relevant audio embedding spaces. Leveraging a physics-based sound synthesizer, we evaluate the discriminative power of SDIM on controlled morphing trajectories with varying degrees of regularity and compare it with that of existing audio morphing metrics. Results show that, contrary to state-of-the-art metrics, the proposed metric reliably discriminates desirable trajectories from adversarial ones.