Papers for

live performance technicians

Papers whose findings have a practical use for this group, as judged from the abstract. Open a paper to read what it means in practice.

LiveSynth enables real-time neural instrument cloning and synthesis

LiveSynth: A Streaming Neural Synthesizer for Instrument Cloning and Text-to-Instrument

Abstract: Recently, generative neural synthesizers have enabled zero-shot instrument cloning from reference recordings and timbre generation from text prompts. However, existing systems generate complete audio segments offline, precluding their use as playable instruments. We present LiveSynth, a streaming neural synthesizer with flexible timbre control and interactive generation capabilities, including zero-shot instrument cloning and text-to-instrument synthesis. A feedback-free causal Transformer conditioned on MIDI events and a CLAP timbre embedding outputs continuous audio latents at 100 Hz, which a causal variational autoencoder decodes into audio. Frame-wise timbre conditioning enables continuous timbre morphing, while MIDI-conditioning dropout enables autonomous continuation from a performed prefix. On the NSynth and Slakh datasets, LiveSynth achieved timbre similarity and spectral reconstruction quality comparable to offline baselines. On an M3 MacBook Air, LiveSynth required 8.8 ms of computation per 10 ms audio frame (an RTF of 0.88) with 10 ms algorithmic latency, enabling real-time interaction with a performer.

Fri 9 OctSound
The gist
Making digital instruments that sound like real ones usually takes time and must be done before you can play. The authors created LiveSynth, a system that can listen to a recording or read a text description and then produce music in real time, as you play notes. It uses advanced AI models to generate the instrument sounds continuously without delay. This means musicians can interact naturally with new digital instruments that sound very much like real ones.
Open → 2610.13054v1