cultural heritage digitization teams

Abstract: The reconstruction of fragmented historical textiles presents a significant challenge in computational archaeology. The Oseberg ship burial, dating to 834 CE, yielded hundreds of degraded textile fragments that have resisted systematic computational analysis. While deep learning has revolutionized image-based puzzle solving, progress on archaeological textiles has been limited by the lack of domain-specific datasets and systematic evaluation of modern architectures. To address this gap, we present TEXMET, a curated dataset of 18,644 historical textile images from the Metropolitan Museum of Art's Open Access collection, representing the first textile-specific benchmark for puzzle-solving research. Using TEXMET, we conduct a systematic evaluation of three state-of-the-art puzzle-solving models: JPDVT, FCViT, and DiffAssemble. Our experiments reveal that the transformer-based models pre-trained on standard datasets fail to generalize to textiles, but domain-specific fine-tuning proves highly effective. The graph-based DiffAssemble model, when fine-tuned on TEXMET, achieves 85.89% puzzle accuracy on textile data. Most significantly, applying this fine-tuned model to 45 highly degraded Oseberg fragments yields a performance increase from 26.67% to 64.44% puzzle accuracy. These results establish TEXMET as a new benchmark for textile reconstruction and demonstrate that domain adaptation is essential for applying puzzle-solving methods to imagery of real archaeological materials.

Abstract: This study compares ten digital 3D acquisition techniques applied to violin family instrument plates, assessing their accuracy and relevance for scientific and cultural heritage applications. Evaluated methods include two photogrammetric workflows, medical and industrial computed tomography, terrestrial laser scanning, two structured-light configurations (blue light and infrared), and three consumer-grade iPad Pro approaches: TrueDepth scanning and LiDAR using two different applications. The methods were applied to five historical instruments from the "Musical Instruments Museum" (Brussels) and the "Musée de la Musique" (Paris). Since no geometric ground truth is available, accuracy is assessed through systematic pairwise point-to-plane comparisons of the resulting point clouds. These comparisons are jointly analysed to estimate the intrinsic error of each technique (i.e. the expected discrepancy between the model and the true but unknown geometry) without designating any technique as reference. Results are discussed with respect to intended uses, offering recommendations for techniques depending on the dedicated objectives.

Abstract: Large language models (LLMs) have shown strong performance in creative text generation, yet their ability to produce culturally grounded and stylistically constrained literary forms remains underexplored. Prior work has focused largely on modern language varieties and poetry, while classical prose traditions such as maqama remain largely unstudied. The maqama is a classical literary genre characterized by rhymed prose (saj), dense rhetorical ornamentation, and episodic narrative structure, making it a challenging testbed for evaluating whether LLMs can move beyond surface fluency toward deeper literary competence. In this paper, we present the first controlled evaluation study of maqama generation with LLMs, comparing five models under zero-shot, few-shot, and rule-based prompting, and evaluating outputs through both human annotation and an LLM-as-a-judge framework across dimensions such as rhetorical richness, saj density, structural coherence, and stylistic authenticity. Our results show that prompting strategy plays a strong role in stylistic quality: few-shot prompting most consistently improves saj density, while its effects on rhetoric and coherence vary by model, with the strongest models (GPT-4o and GPT-5.4-mini) benefiting most from rule-based prompting on these dimensions, though zero-shot prompting yields the highest aggregate scores across all five models. We further observe systematic differences between models in stylistic alignment with Arabic maqama conventions, and corroborate our findings with a second independent LLM judge, paired statistical significance testing, and non-LLM proxy measures of saj.

Abstract: As large language models become capable translators of classical texts, a key challenge is deciding which outputs need expert review when no human reference exists. This study tests reference-free error triage through Pali-to-English translation. Three LLMs translated 15,493 passages. Five signals were compared: source novelty, source-candidate embedding distance, peer-translation disagreement, English-to-Pali backtranslation, and no-reference GEMBA scoring. Signals were calibrated on a 3,000-item reference-informed LLM-adjudicated sample and checked against a 500-item author-adjudicated anchor. Human references supported calibration and validation only; they were never used to compute the risk signals. Source novelty was a useful source-side risk prior but not a per-candidate error detector. Peer disagreement and backtranslation provided secondary signal. The strongest method was no-reference GEMBA scoring by a panel of models generally regarded as stronger than the translators: reviewing the top 10% by GEMBA risk captured 81.6% of panel-major errors in the calibration set. GEMBA also remained the best reference-free signal against the author anchor. A same-tier panel, with self-scoring excluded, remained useful but performed worse, indicating that evaluator strength matters beyond the prompt alone. A budgeted workflow is proposed, combining source novelty, peer disagreement, and stronger candidate-aware judging to allocate human review. Transfer to other classical languages, including Latin, Ancient Greek, and Sanskrit, remains to be tested.