creative writing software developers

Abstract: Every story has two orders: the order in which its events happen and the order in which they are told. A story is nonlinear when the two differ. We introduce a benchmark of 83 published works that measures whether language models can tell nonlinear stories. For each work, we annotate one list of events in both orders, together with a story graph of causal dependencies, character knowledge, and the questions the telling raises and resolves. Given events in chronological order, all 19 models tell them, on average, more chronologically than the published works do; asked for a specific structure, they land within the human range about half the time. We then compare a model's stories of the same events under different conditions, using both an automated judge and 71 human readers. Both prefer the chronological story a model writes by default to the nonlinear one it writes on request, which readers find harder to follow in 81% of decisive judgments. Readers also prefer stories written from the story graph to stories constrained to the published telling order (72% of decisive judgments), a difference the judge does not detect. Our results suggest that following an instruction to reorder a story is not yet the same as telling it well out of order.

Abstract: LLMs have demonstrated strong capabilities in creative writing. However, scaling them to full-length novels remains challenging, as maintaining narrative consistency becomes increasingly difficult. Existing story-generation methods typically focus on stories of up to about ten thousand words, leaving their ability to scale to full-length novels underexplored. In this work, we introduce Narrative State Tracking Agent (NstAgent), a training-free agentic framework that allows LLMs to track a structured narrative state including characters, past events and future requirements. We extend an existing benchmark to compare narrative consistency across lengths, and use it together with a writing-quality benchmark to systematically evaluate stories ranging from 10K to 100K words. We show that NstAgent achieves better narrative consistency and writing quality as stories grow longer, and neither of them degrades noticeably as length increases, suggesting that it provides an effective approach to scaling story generation toward full-length novels.

Abstract: Large language models can produce fluent prose from short prompts, but a direct interaction gives writers little access to the assumptions that shape a long narrative. We present Incipit, an implemented research prototype that inserts an explicit planning layer between writer intent and generated prose. The layer is grounded in literary axioms, which are curated and reusable propositions about human experience and narrative craft. The prototype connects a knowledge base of 1455 axioms and 472 typed relationships to a five round direction dialogue, a retrieval and selection pipeline, and a three level blueprint covering creative premises, story beats, character arcs, and chapter outlines. Writers can inspect and edit the resulting structures before using them as context for scene generation. Additional modules support real event abstraction and five dimensional diagnostic feedback. We describe the design rationale, data flow, implementation boundaries, and a worked design example. Because no controlled user study or independently rated output study has yet been completed, we do not claim that the system improves literary quality. Instead, we outline a future preregistered comparison designed to distinguish the contribution of axiom grounding from that of hierarchical planning. The paper contributes a concrete architecture for making literary knowledge an inspectable coordination object in human AI writing.

Abstract: This paper introduces and operationalizes summarization bias: a proposed systematic tendency of large language models (LLMs) to represent narrative meaning as an abstract summary label rather than as the reconstructable inferential structure that produces it. Within the Bulut Doctrine, narrative effect is theorized along a told-shown axis: in told mode, emotional and informational content is declared explicitly and requires little reader reconstruction; in shown mode, that content is suppressed at the surface and must be reconstructed from physical cues and indirection (Objective Projection). Shown mode is the higher-load condition the doctrine is designed to measure. The claim is that LLMs fail along this axis in a specific direction. Summarization bias is hypothesized to operate in two regimes: (i) a generative regime, in which a model asked to render an emotion through Objective Projection defaults to declaring it instead; and (ii) an evaluative regime, in which a model judging narrative quality rewards told-mode explicitness and under-detects shown-mode suppression. The evaluative regime is the more consequential, since LLMs increasingly serve as judges and reward models, and a directional bias toward told mode would impose a selection pressure degrading prose toward flat declaration. This report does not claim the bias is validated. It defines the construct, situates it against LLM-as-judge biases, rereads a completed independent reliability study as directional evidence consistent with it, and pre-registers a two-regime test with decision rules under which the construct would be abandoned.

Abstract: This paper investigates the generation and human evaluation of Japanese haiku by contemporary Large Language Models (LLMs), focusing on authorship perception and aesthetic judgment within a constrained poetic form. Using a few-shot prompting strategy, Japanese haiku were generated across a heterogeneous set of large language models, including open- and closed-source systems, medium-scale and large-scale architectures, models with native or adapted Japanese support, and multilingual proprietary models. These AI-generated haiku were combined with human-written ones and presented in a questionnaire distributed to students at Japanese universities in Tokyo. The survey assessed whether respondents could distinguish between AI-generated and human-written haiku and which cues informed their judgments. Recognition accuracy varied across models. GPT-5, Gemini 2.5, and StableLM-7B performed at approximately chance level (approx 0.50), whereas LLM-JP, Gemma-2B, and LLaMA-2 showed moderate detectability (approx 0.59-0.67). However, recognition was strongly item-dependent. Ratings of fluency, coherence, poeticness, and related aesthetic dimensions predicted perceived humanness but not correct classification, indicating an attribution bias linked to aesthetic evaluation and revealing a dissociation between aesthetic evaluation and true authorship detection. The extended analysis additionally examines generation-constraint adherence, participant-level characteristics, and exploratory LLM-based evaluations of haiku authorship. Overall, the findings suggest that as LLMs improve, surface-level creative plausibility may reduce reliable human discrimination within constrained poetic settings.