Papers for

audio restoration engineers

Papers whose findings have a practical use for this group, as judged from the abstract. Open a paper to read what it means in practice.

Orchestral historical music restoration improves with latent space models

End-to-End Historical Music Restoration in Latent Space

Abstract: Historical music restoration (HMR) has almost exclusively focused on constrained problems such as Super-Resolution or the restoration of solo pieces, under-exploring the general task of restoring orchestral historical music, which has multiple instruments. This under-exploration is largely because the HMR domain, early-20th-century recordings, has no pre-degradation ground-truth pairs, making the restoration task unsupervised and more challenging. This paper presents a supervised end-to-end orchestral HMR benchmark by exploring both the synthetic degradation functions and the end-to-end generative deep-learning restoration methods. We simulate the historical recording degradation chain more faithfully than prior work, which makes orchestral restoration into a tractable supervised problem. A latent flow-matching model trained on the resulting synthetic pairs outperforms existing HMR baselines on intrusive, non-intrusive, and subjective evaluations. We also curate and release a 9.3-hour license-free, unpaired, historical classical-music test set, along with code and audio demos.

Wed 30 SeptMachine LearningSound
The gist
Old recordings of orchestras often sound poor because the technology then was limited and damaged over time. Restoring these recordings is hard since there are no perfect original versions to compare with. The authors created a way to simulate how old recordings get damaged and then trained a computer model to fix these problems. Their method works better than previous ones in making old orchestral music sound clearer and more natural. They also shared a large test set and open code for others to use.
Open → 2610.00607v1

Vinyl defect detector improves repair decision accuracy with two-stage signal analysis

Signal-Informed Temporal Routing for Vinyl Defect Regime Detection

Abstract: Vinyl restoration systems must distinguish isolated clicks, short bursts, dense crackle, and overlapping damage before selecting a repair operation. We present a lightweight two-stage detector in which signal-informed sparse, burst, and dense experts produce complementary defect evidence, and a temporal backend converts that evidence into stable repair regimes. The backend factors the five-way decision hierarchically, applies a validation-only mixed regime gate, and decodes with validation-selected transition penalties that outperform a maximum-likelihood transition matrix on the same emissions. On a source-separated synthetic benchmark of 597 non-overlapping 15 s excerpts drawn from 21 recordings, the held-out system reaches 0.730 pooled five-class macro F1 (95% CI 0.694-0.761), an improvement of 0.043 over a flat frame-level router (paired bootstrap p=0.001). Clean and dense frames are highly reliable, while sparse, burst, and mixed frames remain far more ambiguous.

Sat 19 SeptMachine Learning
The gist
Vinyl restoration needs to know what kind of scratch or noise is on the record to fix it correctly. The authors created a two-step system that looks closely at the sounds to find different types of defects, then uses a smart decision process to figure out the best repair approach. Their method works better than simpler systems on a test set of music recordings. Some types of defects like clean and very dense noise are easy for the system, but others like sparse scratches remain harder to classify.
Open → 2609.23164v1