Papers for
audio engineering teams
Papers whose findings have a practical use for this group, as judged from the abstract. Open a paper to read what it means in practice.
System clones instrument sounds directly from full music recordings
Point-and-Play: Instrument Timbre Cloning from Music Mixtures
Abstract: Neural instrument synthesizers can clone the timbre of a solo instrument, letting music producers make music with the sound they desire. However, an instrument of interest is often embedded in a fully produced, multi-instrument recording, beyond the reach of existing methods. Source separation before timbre cloning is an approach, but it may suffer from separation artifacts and is also likely a detour for the task. In this work, we propose Point-and-Play, a system that clones the timbre of a cued source directly from a polyphonic mixture and uses it to synthesize new pitches and velocities. To achieve this, we introduce a Cue-Gated Statistics Pooling (CGSP) module that extracts the timbre code of the cued instrument from adapted CLAP embeddings of the music mixture. This extracted timbre code is then used to condition a separately trained note synthesizer together with pitch and velocity inputs. Experiments show that our proposed system outperforms separate-then-clone baselines in terms of timbre fidelity and synthesis quality, achieving comparable performance with that cloned from a clean solo instrument.
Large audio models improve music reasoning across song stems and sections
STEMMA: Song-to-Stem Multi-Audio Reasoning for Large Audio Language Models
Abstract: Music understanding often requires comparing excerpts and reasoning about relationships among songs, sections, and stems. However, existing large audio-language models (LALMs) and music question-answering datasets typically operate on single recordings or compare independently sampled tracks with no known production relationship. We introduce STEMMA, a multi-audio music question-answering framework built around production provenance: whether excerpts originate from the same track or section, and which stems belong to which mixtures. Because such relations are sparse under conventional audio-first sampling, STEMMA adopts a relation-first construction strategy: it first specifies a target relation and then queries the catalog for excerpts that satisfy it and hard negatives that do not. Labels are determined directly from catalog provenance rather than generated by a language model from metadata. We build STEMMA-Bench for evaluation and a track-disjoint training set, STEMMA-Instruct. Fine-tuning two LALMs on STEMMA-Instruct improves multi-audio reasoning, with the largest gains on structural relations directly determined by the catalog, while preserving single-audio music understanding.